Wednesday, October 31, 2012

Week 9


This week I wanted to further explore the idea of the Mexican holiday: Day of the Day. I already knew a few things about the festivities that are celebrated, but I wanted to know some more background information. The holiday is a version of the Roman Catholic Feasts’ and All Souls Day. It is unique to Mesoamerican legacy. It is a symbol of the nation itself. It has been celebrated from colonial times up until the present. The holiday is also seen as a political event for some. The holiday is typically observed November 1st and 2nd.

It is also known as el Dia de Arvimas (Souls Day), el Dia de los Firidos (Day of the Deceased) or el Dia de los Fieles Difuntos (Day of the Faithfully Departed)

Events take place from October 31st to November 2nd. {More information is available on the celebrations each day} There are three masses take place on November 2nd today.

The holiday is a key symbol of national identity, especially for those who live outside of Mexico.

Is this something that I really want to write about? I am not sure. While thinking about the Day of the Dead, I discovered that there is currently an alter honoring animals that have been used for human consumption at the Mexican Art Museum here in Chicago.  This is a fascination to me. In our culture here in the U.S. we have a disconnection with the animals that we consume. Here the animals have been honored and they are being respected.



Since one of my biggest passions is animal rights and advocacy, I became very interested and started thinking more about animal advocacy and how animals are used throughout the arts. I want to further explore the connection of human interaction in the arts throughout history.

I remember that in my twentieth century class that animals were being harmed for art purposes. This isn’t okay with me. Can animals not be harmed while making art? Yes, I whole heartily believe this to be true. It may have not been done before. Can we honor animals throughout the arts without exploiting them? Yes.

{To do: Find examples of animal advocacy in the arts in 20th century, contemporary art, and historical references}

I believe that art can be a vehicle for animal advocacy. I will need to further explore what is currently being done within this field.  I can imagine that it is growing, but it can’t be that big—{more research on this}

Even though I am really interested in exploring colonial churches of Mexico, I don’t think that is the direction that I want to go in. I am extremely passionate for animal and researching animal advocacy would be really exciting!!

It is interesting how you research on topic, which then leads you to another topic. The process of research is a really fascinating idea. Through this process I have learned so much about how I work best and what I am truly interested in researching. 

Wednesday, October 24, 2012

Current Toughts

I am still not sure where to take my research. I am finding that figuring out a specific topic is really hard!! 

What I have learned about researching so far is that I need to do it in the morning. I can get more things accomplished before noon. 

I found out about thDÍA DE LOS MUERTOS  exhibition at the Mexican Art Museum here in Chicago an I want to check it out. I know that I am to focus on some aspect of Latin American art, but I don't know if architecture is the right direction for me. I am fascinated by the day of the dead in Mexico. I think that this exhibit could help me figure out a specific topic to write about. I plan to go there soon! 

Link: 
http://www.nationalmuseumofmexicanart.org/exhibits/featured/d%C3%AD-de-los-muertos-2012

It looks like there are a lot of artists in thexhibit. I hope to be inspired

Wednesday, October 17, 2012

Background Research

Since I am not sure what direction I want to go with for my topic, I decided to work on some basic background/historiography of Mexican architecture and churches. I looked for information on both colonial and modern architecture.

While searching for information on modern architecture, I came across some interesting facts in the article The Preservation of Historic Architecture and The Beliefs of the Modern Movement in Mexico 1914-1963. In the article it looks at both modern architecture and preserving the architecture of the 17th-19th centuries.

Within the modern movement in Mexico, there were two important events that took place: one in 1914 and the other in 1963. In 1914, the architect Federico Mariscal influenced the thoughts behind preserving historical Mexican architecture. In 1963, the Plaza de las Tres Culturas took place and presented the preservation of previous centuries with critical components. This must be understood under a new cultural program endorsed by Jose Vasconcelos, the founder in 1922 of Public Education Ministry.

Mariscal was an important figure in preserving the viceregal architecture in Mexican culture and found that it was a primary element of Mexican Identity. He discussed the theory of "Motherhood and Nation" which concluded that buildings should be cherised and not destroyed; and the Mexican peoples are compelled to learn about this works.
      Note: This information is something that I have been wanted to find out. I want to somehow relate the contemporary back to the past centuries through architecture. I was very elated when I read about Mariscal!

Mariscal also discussed the importance of embracing the Mestizaje as the foundation of a new way of thinking. (Look for his book: La Patira y la Arqurlectura.)

I also found an interesting article on background information: The Catholic Church in Mexico. The article goes through this history of the Catholic Church in Mexico from the time of the conquest to present Mexico. I think there is valuable information that could be used whether I decide to focus on colonial or modern architecture.

Mexican Baroque: Capital is Puebla

Architect Lorenzo Rodriguez (Spanish) influence on design. Masterpiece is Sagrario Metropolitano in Mexico City, which I have seen in person. Churrigueresque style

Other church that I have visited Ss. Sebastian y Santa Prisca in Taxco. Very ornate, over the top, so much gold used.



Wednesday, October 10, 2012

Research

I am still researching how I can connect contemporary Mexican architecture with colonial architecture. From my research on contemporary Mexican buildings, I have discovered an interesting architect and his work:  Luis Barragán.

Barragan developed Jardines del Pedregal de San Angel: an exclusive Mexico City subdivision designed and built between 1945 and 1953. Being an exclusive subdivision really intrigues me. What made it so exclusive?

I am even sure if I will try and use this for my paper/topic, but I find it very interesting and will keep it in the back of my head.

Sources: 


Postwar Modernism in Mexico: Luis Barragán's Jardines del Pedregal and the International Discourse on Architecture and Place
Keith Eggener


Journal of the Society of Architectural Historians , Vol. 58, No. 2 (Jun., 1999), pp. 122-145
Published by: University of California Press on behalf of the Society of Architectural HistoriansArticle DOI: 10.2307/991481
Article Stable URL: http://www.jstor.org.emils.lib.colum.edu/stable/991481
http://www.scielo.org.mx/scielo.php?script=sci_arttext&pid=S1870-11912010000100007 {use for Bib}

InterSections: Architectural Histories and Critical Theories
 By Iain Borden


Other thoughts:
Still thinking about how to relate colonial architecture to modern. Is this possible? I think that is, but needs further research. I haven't been able to find much on modern "church" architecture? Why? There must most be a need for new churches to be built. The older churches still have a major presence in the lives of Mexicans, the same as when they were built. I question though if they have the same meaning as they did when they were constructed. I think for some of the population they do, but I don't believe that all of the population is greatly affected by the church architecture.  


To do this week:
More research
Interlibrary loan books requests

Wednesday, October 3, 2012

This past week, I have been thinking about what direction I would like to go in for my paper. I don't know if focussing on colonial architecture in Mexico is what I would like to research. I would love to somehow be able to relate the churches somehow to some effect that they have on the cultural today. I am not sure if this would be a good idea or really even possible.

I am also wondering if I should focus on art from the twentieth century. Something more contemporary might be more interesting. I am not sure. 

There is a lot to consider when choosing a topic! 
I have found a couple of articles that could be helpful in determining what my specific research topic will be.

Hybridity in New World Baroque Theory

César Augusto Salgado 
http://www.jstor.org.emils.lib.colum.edu/stable/541365


Review by: Alfred Neumeyer
The Journal of Aesthetics and Art Criticism, Vol. 22, No. 1 (Autumn, 1963), p. 78
-Find the book, not looking to use the review of the book as a source

Review by: David R. M. Irving
Early Music, Vol. 39, No. 2 (May 2011), pp. 295-298
-Also, find the book for this

Journal of the Society of Architectural Historians, Vol. 5, Latin American Architecture (1945 - 1946), pp. 27-32
http://www.jstor.org.emils.lib.colum.edu/stable/987393


Style in 18th Century Mexico

http://www.jstor.org.emils.lib.colum.edu/stable/164894